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∇∇ Synopsis ∇∇
Cuenta el extraordinario periplo del alemán Peter Weinschenk, quien al llegar a la Argentina a mediados de los años 30 se convierte en el director de fotografía más influyente del cine clásico nacional.
Lanzamiento: 2020-11-26
Duración: (72) minutos
Género: Documental
Estrellas: Soy Cine, Heritage Film Project
Director: Argentina
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Film is a work of art in the form of a series of live images that are rotated to produce an illusion of moving images that are presented as a form of entertainment. The illusion of a series of images produces continuous motion in the form of video. The film is often referred to as a movie or moving picture. Film is a modern and popular art form created for business and entertainment purposes. Film making has now become a popular industry throughout the world, where feature films are always awaited by cinemas.
Films are made in two main ways. The first is through shooting and recording techniques through film cameras. This method is done by photographing images or objects. The second uses traditional animation techniques. This method is done through computer graphic animation or CGI techniques. Both can also be combined with other techniques and visual effects. Filming usually takes a relatively long time. It also requires a job desk each, starting from the director, producer, editor, wardrobe, visual effects and others.
Definition and Definition of Film / Movie
While the players who play a role in the film are referred to as actors (men) or actresses (women). There is also the term extras that are used as supporting characters with few roles in the film. This is different from the main actors who have bigger and more roles. Being an actor and an actress must be demanded to have good acting talent, which is in accordance with the theme of the film he is starring in. In certain scenes, the actor’s role can be replaced by a stuntman or a stuntman. The existence of a stuntman is important to replace the actors doing scenes that are difficult and extreme, which are usually found in action action films.
Films can also be used to convey certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a human being visualized in film. The film itself is mostly a fiction, although some are based on fact true stories or based on a true story.
There are also documentaries with original and real pictures, or biographical films that tell the story of a character. There are many other popular genre films, ranging from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others.
That’s a little information about the definition of film or movie. The information was quoted from various sources and references. Hope it can be useful.
❍❍❍ TV MOVIE ❍❍❍
The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “”Mr Television”” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets.
The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.
❍❍❍ Formats and Genres ❍❍❍
See also: List of genres § Film and television formats and genres
Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed]
A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intendevd five-season run.[citvatio””&n needed]
In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “”I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.
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Pablo Tabernero fue un destacado director de fotografía del cine argentino. Había nacido en Berlín en el seno de una familia judía de clase media. Su verdadero nombre fue Peter Paul Weinschenk. Tabernero se formó como fotógrafo de cine junto a pioneros del Bauhaus en tiempos de la República de Weimar. El jueves 26 de noviembre se presenta en Cine.ar TV el documental Buscando a Tabernero, de Eduardo Montes-Bradley, que recupera aspectos desconocidos de la vida y el trabajo de Pablo Tabernero, destacado director de fotografía del cine argentino. El film se exhibirá en Cine.ar TV el jueves 26 y sábado 28 a las 20 hs. … Con el documental Buscando a Tabernero –que se estrena el jueves 26 en Cine.ar-, Eduardo Montes-Bradley rescata la figura de Pablo Tabernero, uno de los más notables directores de fotografía del cine, a través de su periplo (y sus renacimientos) previos al desembarcar en la Argentina. Nacido en Berlín como Peter Paul Weinschenk, Tabernero se … Buscando a Tabernero. Pablo Tabernero fue un destacado director de fotografía del cine argentino. Nacido en Berlín, en el seno de una familia judía de clase media, su verdadero nombre era Peter Buscando a Tabernero Este ensayo –documental intenta indagar en la historia del gran director de fotografía Pablo Tabernero, sus exilios, sus enseñanzas y sus innovaciones en la llamada Edad de oro del cine argentino. "Buscando a Tabernero", documental de Eduardo Montes-Bradley que indaga en la vida de Pablo Tabernero (1910-1996), uno de los directores de fotografía del cine argentino más influyentes de su “Buscando a Tabernero”: rescate del director de fotografía que hizo escuela en La Plata. Para ver nuestro sitio correctamente gire la pantalla Este jueves y sábado las películas se podrán ver en el canal Cine.ar. Y desde el viernes estarán en la plataforma web gratis por una semana. Los estrenos de cine de esta semana son “Buscando a Tabernero”, documental dirigido por el prestigioso Eduardo Montes-Bradley, y “Al morir la matineé”, largometraje que aborda los géneros de suspenso y terror, dirigida por Maximiliano Contenti, que está participando en el 35° Festival Internacional de Cine de Mar del Plata en la sección Buscando a Tabernero es un documental dirigido por Eduardo Montes-Bradley. Año: 2020. Título original: Buscando a Tabernero. Sinopsis: Esta es la historia documentada de Peter Paul Weinschenk, que huyó de Berlín en 1933 para convertirse en Pablo en Barcelona durante la Guerra Civil Española y Tabernero en la Argentina de Perón y Evita. Buscando a Tabernero indaga en las luces y las sombras de ese extraordinario periplo, en los antecedentes formativos de quien habría de transformarse finalmente en el maestro de toda una generación de iluminadores que incluye a Felix Monti y Ricardo Aronovich, entre tantos. SEARCHING 4-TABERNERO Pablo Tabernero (1910-1996) was a distinguished cinematographer during the Golden Age of Argentine cinema. He is recognized for his unique contribution to Film Noire and to the works of directors like Carlos Hugo Christensen, Mario Soffici, Hugo del Carril, and Luis Saslavsky to name a few, and his work has been recognized by Jorge Luis Borges and exhibited at the MOMA.
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